The New Grown-Ups put a modern twist on American roots music, blending traditional folk, country, blues, celtic, old time, originals, and bluegrass into contemporary acoustic music.
The Concord Open Bluegrass Jam is a weekly, community driven jam session that prides itself in being an open space for local musicians and music-lovers to socially engage and create music together. Maxfield Anderson leads the group through vocal songs and instrumental tunes from a variety of musical traditions, including bluegrass, old time, classic country and western, blues, swing, and beyond. Musicians are encouraged—never required—to bring in songs to play with the group. The Jam is open to acoustic musicians including voice, fiddle, mandolin, guitar, banjo, dobro, bass, cello, harmonica, etc. and at all levels, as well as community members who wish to listen and enjoy the beautiful sanctuary. The Jam is open to the public. A $10 suggested donation is greatly appreciated! Thank you. July 11, 18 August 1, 29
Camping and old time jam weekend in Greenfield, MA On the Green River at Camp Keewanee, Greenfield, Mass. July 12-14, 2024 Friday 5pm through Sunday 5pm (No early birds! Day Camp in session weekdays) Suggested donation: $40/weekend or $20/day Summer day camp facilities including: •Unfurnished cabins to play music in (no beds) •Bathrooms and showers •Picnic pavilion & basketball court •Camping and parking on flat ground •Frolicking in the Green River •Swimming Pool open select hours Saturday Morning Secular River Immersions Potluck Saturday Night & Midnight Reenactment Vol. 2 Harry Smith Anthology This volume has everything: fiddle & string band tunes, cajun, gospel, blues, shape note. So study up!
Long-standing, weekly Sunday night old time jam led by Alan Kaufman and friends in the Front Room.
In addition to the weekly concerts at Lily P's there is a lot of jamming happening all over the restaurant and outside. Also: Beginner & Intermediate Bluegrass Jams at Lily P’s There are now three distinct jams scheduled nearly every week: (1) The weekly Beginner-to-Intermediate Bluegrass Jam continues to meet nearly every Tuesday starting at 5:15 pm at Lily P's (but you'll have to email me at [email protected] to be sure). This is a "teacher-directed" jam where we never know what songs we're going to play, but we're limited to no instrumentals and no very fast nor very complex songs. (2) The Intermediate Bluegrass Jam hosted by Kelley meets every week starting at 6:30 pm. This jam is likely suitable for those who have some experience jamming already and can play songs and tunes, recognize chord changes, and play well with others. (3) The Int/Adv Bluegrass Jam hosted by Wayne usually starts at 7 pm. This jam typically evolves out of the Intermediate Jam and then moves out back unless the weather is nice enough to play outside. For more information about any of these jams, please email me at [email protected]
Zoe & Cloyd - The innovative “klezgrass” music of Zoe & Cloyd springs from the rich traditions and complementary styles of fiddler/vocalist Natalya Zoe Weinstein and multi-instrumentalist/vocalist John Cloyd Miller. Descending from a lineage of klezmer and jazz musicians, Natalya trained classically in her home state of Massachusetts before moving south in 2004. John, a twelfth generation North Carolinian and grandson of pioneering bluegrass fiddler, Jim Shumate, is a 1st place winner of the prestigious Chris Austin Songwriting Contest and the Hazel Dickens Songwriting Contest. Based in Asheville, NC, Natalya and John are also experienced educators and are both instructors in the traditional music program at Warren Wilson College. With B.B. Bowness and Nate Sabat. Evan Murphy opens. $20 advance; $25 at the door.
Bluegrass and BBQ Jam in NH every Wednesday, 6-8:30 pm
JamVember in July, a weekend-long bluegrass non-festival, will be held on the 19th, 20th & 21st of July at Camp Kee-wanee in Greenfield, MA just 10 minutes from the intersection of Rt. 2 & I-91. It starts at 6 pm on Friday and ends at 1 pm on Sunday. https://jamvember.com/index.html for more information
Featuring, but not limited to Bluegrass music Bring your Guitar, Banjo, Fiddle, Bass, Dobro, Harp (all types), mandolin, bones, etc.. and come and enjoy a night of great music. The Parish Center For The Arts (The PCA). 10 Lincoln Street Westford, MA PCA is a BYOB facility, so feel free to bring snacks, a bottle, whatever! Please bring whatever you need, and be sure to police up everything when we go. I ask you to leave no trash, garbage, bottles, cans, etc behind. There are chairs and tables as needed. This is a pass-the-hat event, with proceeds going to the PCA to offset the cost of our usage. Welcome to players of all skill levels and audiences alike. Free parking Monthly on 3rd Fridays, 7-10pm
Aoife O’Donovan and Hawktail join together for a night of joyous music. Hawktail opens the evening with their signature songs and cosmopolitan sound. Aoife O’Donovan will then take the stage with Hawktail as her band, performing songs from the Grammy-award winning musician’s 4th studio album All My Friends (out March 22, 2024). O’Donovan continues to enchant audiences worldwide with her soul-stirring music and unwavering passion for storytelling through song. Deemed “a vocalist of unerring instinct” by the New York Times, she has released three critically-acclaimed and boundary-blurring solo albums including literarily crafted Age Of Apathy, which received three Grammy nominations. Her newest album, All My Friends is based around a collection of songs Aoife O’Donovan wrote, inspired by women’s suffrage and the passage of the 19th amendment. The album is a deep dive into the reimagining of the life of Carrie Chapman Catt – one of the movement’s leaders and founder of the League of Women Voters – juxtaposed with Aoife’s own experiences as a woman and mother. Hawktail is the acoustic instrumental trio of fiddler Brittany Haas, bassist Paul Kowert, and guitarist Jordan Tice. Though at first glance it looks like an acoustic super-picker side-project, their all-original music is cohesive and unique, distinguishing them as an ensemble with a sound built from the ground up. Flush with orchestral sweeps and sparse vigils, with strains of the American South and the North Atlantic. Together, they have fostered a reputation as a rare ensemble of composers and instrumentalists able to take the listener on a journey, without the use of words.