Upcoming Bluegrass Related Events

“Once again, Tony has set the world afire with his banjo and his storytelling skills…”— Bluegrass Today Tony Trischka is considered the consummate banjo artist and perhaps the most influential banjo player in the roots music world. For more than 50 years, his stylings have inspired a whole generation of bluegrass and acoustic musicians with the many voices he has brought to the instrument. His show honors the music of Earl Scruggs, pioneer of the three-finger banjo style and one of the most important musicians in bluegrass, or, in Trischka’s opinion, in any genre. Trischka recently came into possession of extremely rare recordings of jam sessions with Scruggs and John Hartford, and he transcribed and recorded Scruggs’s note-for-note solos from a number of these, including many songs that were never recorded. Together with his ace band — Michael Daves on vocals and guitar, fiddler Alex Hargreaves and bassist Jared Engel — Trischka will trace the story of Scruggs from his childhood to his final years. “The depth of his genius becomes ever more apparent when I transcribe his solos, which I’ve been doing my entire musical life and with renewed vigor,” says Trischka. “Discovering new twists and turns in his playing is pure joy and, in fact, the inspiration for this tribute show and album.” The show debuted at Joe’s Pub in New York City which drew lots of interest, including an appearance on the Grand Ole Opry, a rarity for a banjo player these days. “Earl is my North Star, a lifetime pathway. And I’m not alone,” says Trischka, a banjo innovator and educator who has influenced everyone from Béla Fleck to Steve Martin. “Through his music, this shy kid from Flint Hill, North Carolina went on … Read More »

Popular summer series in Falmouth at the lovely Highfield Hall and Gardens. Enjoy a rousing afternoon of high spirited bluegrass and sweet harmonies.

Zoe & Cloyd - The innovative “klezgrass” music of Zoe & Cloyd springs from the rich traditions and complementary styles of fiddler/vocalist Natalya Zoe Weinstein and multi-instrumentalist/vocalist John Cloyd Miller. Descending from a lineage of klezmer and jazz musicians, Natalya trained classically in her home state of Massachusetts before moving south in 2004. John, a twelfth generation North Carolinian and grandson of pioneering bluegrass fiddler, Jim Shumate, is a 1st place winner of the prestigious Chris Austin Songwriting Contest and the Hazel Dickens Songwriting Contest. Based in Asheville, NC, Natalya and John are also experienced educators and are both instructors in the traditional music program at Warren Wilson College. With B.B. Bowness and Nate Sabat. Evan Murphy opens. $20 advance; $25 at the door.

Aoife O’Donovan and Hawktail join together for a night of joyous music. Hawktail opens the evening with their signature songs and cosmopolitan sound. Aoife O’Donovan will then take the stage with Hawktail as her band, performing songs from the Grammy-award winning musician’s 4th studio album All My Friends (out March 22, 2024). O’Donovan continues to enchant audiences worldwide with her soul-stirring music and unwavering passion for storytelling through song. Deemed “a vocalist of unerring instinct” by the New York Times, she has released three critically-acclaimed and boundary-blurring solo albums including literarily crafted Age Of Apathy, which received three Grammy nominations. Her newest album, All My Friends is based around a collection of songs Aoife O’Donovan wrote, inspired by women’s suffrage and the passage of the 19th amendment. The album is a deep dive into the reimagining of the life of Carrie Chapman Catt – one of the movement’s leaders and founder of the League of Women Voters – juxtaposed with Aoife’s own experiences as a woman and mother. Hawktail is the acoustic instrumental trio of fiddler Brittany Haas, bassist Paul Kowert, and guitarist Jordan Tice. Though at first glance it looks like an acoustic super-picker side-project, their all-original music is cohesive and unique, distinguishing them as an ensemble with a sound built from the ground up. Flush with orchestral sweeps and sparse vigils, with strains of the American South and the North Atlantic. Together, they have fostered a reputation as a rare ensemble of composers and instrumentalists able to take the listener on a journey, without the use of words.